oil on archival panel
© Anita C. Miller 2013

paintings
I used Gamblin’s Portland greys (light, medium and dark) and Chromatic Black. The Ampersand gesso board is sometimes lightly brushed with Gamsol solvent before starting the painting. I’m using fine sable hair brushes (and sometimes my fingers) for these little paintings.

This little monochrome painting from yesterday is based on an Oahu hike my husband and I took this past winter. I’ve included the reference photo this time and the link to my previous post on this hike where you can see the summit views.

I could have kept working on the painting, but decided I liked the ambiguity and stopped. No clear view of the trail ahead.

oil on archival panel
© Anita C. Miller 2012
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One wave moving toward shore… a progression.

There is a small delay sometimes between when I push the camera’s shutter button and
when I hear the shutter activate. The swallows (maybe 50 of them) are flying around
very fast trying to catch bugs. All photos then, are purely accidental… I like that.
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There are muskrats beneath these waters. I’ve seen them, but they are elusive creatures!
The sky and lake merge and the horizon is barely visible. A bit ambiguous.







9″ x 12″ oil study



a pair of Sandhill cranes at Volo Bog (not far from Chicago).

Lighthouse Beach
Sailing Close to Shore
sometimes I don’t feel like using color
used — Gamblin Portland Grey (light, medium and dark) and Chromatic Black

White herons fly among old oaks.


Wetland area where I like to hike. I combined palette knife strokes with some brushwork.


9″ x 12″
Abstracted scene of a threatenening sky at sunset over a meadow with trees in the distance.
Looks a bit like rain is coming.

a palette knife painting, 9″ x 12″

9″ x 12″ oil on canvas

9″ x 12″ oil on canvas

A bright meadow and the edge of a forest. 9″ x 12″
9″ x 12″ study… A quiet place with many fallen dead trees in the water.
Often, I see Great Blue Herons standing in the debris, perfectly camouflaged, waiting to catch a meal. Also, white egrets and woodpeckers come here, and turtles sun themselves on top of the logs.
I left out a lot of details… the abstraction of the place was more important to me.
oil study 9″ x 12″ Limited palette using cad. yellow light, cad. red light, quinacridone magenta, ultramarine blue, phthalo green, Portland grey (light, medium and dark) and chromatic black.
This is basically the Kevin Macpherson palette (except I’ve subbed the quin. mag. for aliz. crimson).



started using new limited color palette today…
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